Lighting for Story and Concept Art With Sam Nielson Torrent
Sam Neilson'southward Lighting for Story and Concept Art
Sup Air-conditioning dudes. You may non be enlightened, merely schoolism at present has a $145 yearly subscription model. This means for a relatively reasonable fee, you tin arrive there and view the mountain of content they take. These classes are cocky directed, so I thought information technology would be nice to attempt to option a form and have it simultaneously with people. The real downside of going for the self directed model is isolating yourself from feedback and y'all never really accept to commit to the assignments. by making it a grouping effort, you become to reclaim some of that value. Let's participate together! Sign up for the self directed course here: http://www.schoolism.com/schoolhouse.php?id=29
Nosotros oasis't fabricated an exact schedule, simply currently @BrainPaint and @Kallisti are in the class, along with and I'yard trying to rally a few other folks to sign up.
Anyway, I'm still constructing this post, simply allow me post the lesson plan for the grade:
Lesson Plan
Lesson 1 - Lighting Process
The most common question asked to skilled artists is, "What is your process?" The reply is almost never the same betwixt any ii artists, and yet each dissimilar procedure tin can exist used to produce stunning results. Is this considering process is irrelevant, or is an artist's unique process an of import function of his or her equally unique ability? In this lecture, I will teach you about the procedure of painting light and surface, and how to tailor this to your personal strengths so that you can efficiently and consistently hit a college bar of quality. I will depict multiple approaches and techniques for painting lighting, likewise equally the strengths and weaknesses of each. Nosotros will determine what type of artist you are, and how to recognize and overcome your weaknesses. Assignment: Paint a simple scene a few times, using the processes you've chosen from the lesson.
Lesson 2 - Value Mastery
Well-executed values and dissimilarity is the most essential part of any great painting. Not surprisingly so, mastering this is a lifelong process for whatsoever serious creative person. In this lecture, I will teach you how to use values accurately while controlling your audience's involvement. Yous will acquire advanced value composition and how to utilize good pattern to juggle the complicated interaction between lighting and the other elements in whatsoever scene y'all are painting. Consignment: Design a lighting scheme that creates an appealing value composition, and then paint the scene using only values.
Lesson 3 - Colour mastery
A beautiful color composition tin can feel almost magical, but it's a fickle enchantment that is hard to understand and control. This lecture is something I have always felt should exist taught in art school: an advanced color theory class that teaches how to harness the ability of color in designing and lighting a scene. Then, in this lecture, I will testify y'all how to apply color in a way that is accurate, harmonious, and balanced. Nosotros will talk about how the concept of color relativity applies to color schemes and gamut masks. You will learn how color harmony and colour balance chronicle to colour composition, too every bit how color composition and value composition relate to each other. Consignment: Pigment a scene composed of colored objects nether colored lighting using the gamut mask technique.
Lesson 4 - Lighting characters
This lecture focuses on lighting characters in the nearly aesthetically pleasing way possible. I volition talk about common schemes that photographers use to light people, and how lighting schemes will differ between lighting for the face versus lighting for the body. We volition discuss ways in which an artist tin alter these patterns to create appealingly lit portraits and character sheets. We will examine the differences between descriptive and creative lighting, and how to use lighting to support a character's personality. We will as well talk near how to handle wear under calorie-free and how different materials modify the grapheme existence lit. Assignment: Paint a graphic symbol design with appealing lighting that reflects that graphic symbol's personality.
Lesson 5 - Lighting objects and environments
What is the best way to light something that doesn't have a face or emotional intent? This lesson focuses on how lighting inanimate things is both similar to and different from lighting characters. I will talk about how appealing object design differs from grapheme design. Furthermore, nosotros will hash out how lighting can be used to amplify and enhance the about appealing properties of surface, form, grapheme, and layout for inanimate objects and environments. We will examine lighting schemes for both open and enclosed environments, and how to give an environment the equivalent appeal of a character blueprint. Assignment: Employ the ideas from this lecture to light a simple environment while imbuing it with character-like attributes.
Lesson 6 - Surface design
The very best story and concept work considers how material and colour distribution interact with lighting, and describes these ideas in a way that makes for interesting visuals for the project being created, whether it'southward a movie, game, book, etc. In this lecture, I will focus on how to blueprint and render attributes in combinations that maximize grapheme or object appeal. I will embrace special considerations that must exist taken into account for both specific and general lighting when designing surfaces. We will review surface attributes and talk virtually some principles that I take used in my ain concept work for designing surfaces that feel interesting and iconic. I will teach you how to employ narrative to these choices, and also discuss how audition and purpose should bear on the treatment and style of materials. Assignment: Paint a graphic symbol blueprint with local colors, values, and materials inside a unproblematic lighting scheme.
Lesson 7 - Expressive effects and temper
Atmospheric furnishings are really fun to pigment and tin can add together to your work considerably if you know how to utilize them. My goal for this lecture is to teach you lot how to control atmospheric effects in social club to add drama and support your painting. I volition review some important technical components of atmosphere and talk nigh how technical considerations shape the artistic expression of temper. We will discuss some means in which we can employ caricature and abstraction to these properties of atmosphere, and how we can utilize temper and water to affect the mood and energy of a piece. I volition demonstrate how temper can be used to touch on the lighting of a scene as well equally how information technology can assistance command composition. Assignment: Pigment a scene and make it experience "epic" through the constructive employ of lighting, water, and atmosphere.
Lesson eight - Lighting for narrative and emotion
The ability to use light to evoke a mood is useful for both concept and story piece of work. In this lecture, I will teach you how to create a mood or tell a story through the use of lighting and surface together. I will talk almost differences between narrative lighting in theater, moving picture, and games. Nosotros will talk over how to create or resolve visual disharmonize, and how to handle lighting for action versus reaction. You volition acquire how to employ light motifs within a lighting matrix to develop appropriate emotional lighting for any scene. Assignment: Paint a character in a scene that uses appropriate lighting and materials to communicate a strong emotion.
Lesson 9 - Communicating Theme with Low-cal
This is where all the ideas of the course come up together to create magic. In this lecture, I will help you sympathize theme and how information technology relates to story, premise, setting, and graphic symbol. We will talk about how to make theme a useful tool that tin can bulldoze and unify every visual decision of a slice, including emotional tone. I will get over some means in which audience and purpose will change theme as well. We will explore theme cosmos, and how different themes can be interpreted through lighting and surface. Yous volition learn how your theme can guide your lighting decisions, helping them make more sense and be more appealing. Consignment: Pigment a scene using a theme to guide and unify the decisions yous make in every aspect of the piece.
Anyone who is thinking about taking some classes in the new year, consider taking the plunge with usa! @F87 I'd love for you to participate if you can.
Source: https://forums.penny-arcade.com/discussion/202628/schoolism-lighting-for-story-and-concept-art
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